The Weekly Coos
Music Reviews and Much More
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Category: Reviews
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Open Door Policy is a unique evolution in sound and bridge crossing as they culminate work, more complex than past works, but unfortunately not as concise.
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Every artist has their own convictions and most stick to their truth, and within the 6 years since his debut mixtape and a major label contract, Ghetts delivers his truths on Conflicts of Interest.
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Their debut My Mind Makes Noises had an arrangement of lush – noisy rock music and with lead singer Heather Baron-Gracie’s unique songwriting and melodies elevated their attention in the music world. But their follow up Who Am I? takes a step back from relying on synth melodies and delivers tracks that are tamer in…
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With his new album Tyron he continues to provide distortion between radicalism and a broken identity that has made Slowthai the way he is today.
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For the First Time details a relationship through memories that, at times, are obscure from the conventional. They lay the groundwork early as the opening track “Instrumental,” is a piece from the 7-person ensemble. Black Country, New Road brings a chaotic element to the horn work one minute in, playing off with veracity.
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Madlib is one of the many who let the music speak more than telling the world who you are. His new album Sound Ancestor continues to show his elegance, with help from UK DJ/Musician Four Tet, as he takes his style to the future with an array of hip-hop/electronic hybrid tracks that cement his status…
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Fortunately, that is not the case with Ok Human. It has infectious singing and a type of simplicity that turns some complex themes into relatable music that you can enjoy, even at a surface level.
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In a way it doesn’t resemble their debut, as the sound generated from their production is more abstract than the fluid and colorful debut Bicep. Though it doesn’t deliver as impactful as their debut, there is a lot to take from Isles even if it is new found appreciation for chillwave-like influences in the sound.