The Weekly Coos
Music Reviews and Much More
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Category: Reviews
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And while last year’s Everything is the better project by Kota recently, the amount of effort put in by both artist/producer is on wave all its own.
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His newest release Justice is boring and nonsensically offensive with the way it inadvertently places Martin Luther King Jr. audio samples on two separate occasions. But it goes beyond that and the very Creed inspired album artwork. Justice is full of solid production that is otherwise wasted from misguided attempts at conveying proper popstar-like conventions…
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Bringing along Jack Antonoff is only one of the many reasons this unique direction for Lana Del Rey who continues to weave, in vibrant consistency, the themes around the idea right and wrong duality.
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Nick Jonas’ new album, Spaceman, is an intricate culmination of sultry R&B tracks that humbles us to the natures of everyday life, while adhering to strengths and delivering one of the best albums of 2021 thus far.
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In pop music, there are some artists who show fright when it comes to leaving a comfort zone. If they make it unique and akin to their style, like Dua Lipa’s foray into disco from electropop, it is to be admired; the others push out products of lesser quality in order to have mainstay in…
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First impressions are always key, especially for an artist. That is why in the past, turning on the TV to MTV Hits at 6 in the morning allowed for a simple variety of music. Unfortunately artist Zara Larsson gave off one of the worst impressions with the standout – and abhorrent sad-anthem “Never Forget You,”…
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This weekend saw a decent amount of releases; from the surprise hype project for YG’s record label to the over stylish electro pop album by Zara Larsson, there is a lot to digest and enjoy. However, nothing has been as ear grabbing as the projects from Indie songwriter Dora Jar and, well, Drake who deliver…
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She delivers a lot of great pop bangers, but most times those pop bangers come from the instrumentations/production camouflaging the slightly lackluster songwriting. Though it isn’t much of a surprise, since the expectations are not to deliver some poignant master craft quality music. And unfortunately, on her debut album Life Support, some things come together…
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Don’t Forget Where You Came From is a plethora of varying shifts in the emo-rock/hip-hop hybrid that amass to an elegant portrayal of emotional angst, that we’ve rarely seen done well in the past.
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Unfortunately Yelawolf Blacksheep hinders from a constant misstep from the two rappers; the molding chorus that brainwashes you to return, but they let their rapping skills and flows take control of the wheel for those who are fans of this kind of approach.