Category: Reviews

  • Lizzo – Special : Review

    Showing captivating progression throughout the years, Lizzo has come full force with a follow-up containing groovilicious vibes. The production is luscious and hypnotic; choruses are catchy, feeling like candy that you can’t stop indulging. Unfortunately, Lizzo makes the word bitch become more of a gimmick with a few tracks. It skews the monstrous bangers and…

  • Westside Gunn – Peace “FLY” God: Review

    The sheer persuasive prowess that Westside Gunn brings behind the microphone has no bounds. Though I’m being facetious, there is something to how he incorporates vocal gunshot noises before, between, and sometimes after a verse, boasting its poignancy. He’s done it in various ways, and yet, this time, it feels slightly different. Coming straight off…

  • Kota the Friend – MEMO: Review

    Within New York’s underground scene, Kota the Friend imbues that old-soul mentality in production, lyrical, and technical work. He’s bringing an influx of bars that keep themselves grounded in reality, specifically through the eyes of an independent hustler. It’s been pertinent from his yearly album releases and mixtapes that contain random 70-120 second tracks with…

  • Lupe Fiasco – Drill Music In Zion: Review

    Drill Music In Zion. On its surface, you’d expect Lupe Fiasco to rap over or incorporate elements of drill music, and who would blame you. Since Lasers, Lupe Fiasco has taken creative turns left and right, from concept albums to underwhelming sequels and stylistic changes. But Drill Music In Zion is different. Lupe is looking…

  • Regina Spektor – Home, before and after: Review

    Regina Spektor has thread needles of jubilant and poignantly straightforward songwriting that sends the song’s themes to the forefront with clean vibes. “SugarMan” off her latest album, Home, before and after, reminds us of that as she reflects on the deceptive lust money can bring. Using sugar as the analogy gives it different avenues to…

  • Muna – MUNA: Review

    At the turn of 2022, among many tracks to get played with immense consistency has been Muna’s “Silk Chiffon,” featuring Phoebe Bridgers. Their instrumentations/production and vocals are captivating and buoyed by strong songwriting, which creates an audible shift from conventional pop melodies. They have creative structures that elevate their music to replayable levels. MUNA has…

  • Cochise – The Inspection: Review

    Hyperactive and jubilant, Florida rapper Cochise can deliver encapsulating performances filled with bravado and slight corniness, especially over trancey hip-hop productions that expand his space. As evident from his album, Benbow Crescent, Cochise has shown us the influence of the enigmatic and erratically vibrant flows from artists like Playboi Carti; the only difference between the…

  • Drake – Honestly, Nevermind: Review

    You got to love it when artists experiment or expand beyond a comfort zone, where they deliver ambitious sounds that shift the parameters of what’s to expect as fans. Drake consistently does so, but we’ve never heard him embrace a genre fully and construct an album out of it until his surprise 7th studio album,…

  • Raury – Strawberry Moon: Review

    Atlanta singer-songwriter and rapper Raury has always had this drive to be authentic and expansive, but it doesn’t always reflect positively, leaving some bumps along the way. It’s perplexing; when I first discovered Raury, he had these unique complexions of folk, hip-hop, rock, and soul with inconsistent vibrancy. From solid mixtapes with Indigo Child and…

  • Purity Ring – graves EP: Review

    Warping us into new dimensions is what Purity Ring does best, even though the trip can be a bit rocky. As an electro-pop band, they are usually willing to take risks and expand beyond the parameters of a basic melody and simple synth textures. They play with the pitch, exploring new realms with synthesizers, and…