Category: Reviews

  • Angel Olsen – Big Time: Review

    After reinventing herself with different aspects of pop–All Mirrors–and past stark and flaky atmospheres in folk and rock, Angel Olsen continues to shape her art, making music resonant with her identity on her new album, Big Time. In an interview with Pitchfork for the album, Angel Olsen said, “I have learned to let go of…

  • 070 Shake – You Can’t Kill Me: Review

    There is a cadence in 070 Shake’s voice, which brings her emotions and lyrics to life while never exasperating the sound with wrought modulations. It’s a prominent aspect of Shake’s craft, as it gets used so she can ride the vibe wave on an exponential high. It has shown that Shake’s range in vocal styles…

  • Flume – Palaces: Review

    Flume’s production styles fluctuate and replicate a sense of competency, sometimes extending beyond and giving us a wider world of great electronic music. It is evident with past releases, Skins and Hi This Is Flume, and is similarly the case on his new album, Palaces. Unfortunately, it’s poorly conceived, confining itself in experimental lanes of…

  • Harry Styles – Harry’s House: Review

    Like his introduction as Eros, Thanos’ brother, in a post-credit scene for Marvel’s Eternals, Harry’s House oozes out Harry Styles’ sex appeal with some horny pop songs. Though it isn’t far from Harry’s usual trove of pop songs, it’s heightened and more fluidly resonates as he takes us on this tour. And this tour isn’t…

  • Boldy James & Real Bad Man – Killing Nothing: Review

    Hip-Hop collective Real Bad Man; that’s a name that’s synonymous with ethereal and soulful production that stays on a tempo that keeps you lifted. The percussion styles have great and subtle nuance, and a tangible slow tempo gives whichever rapper a boost when delivering their verses. Though his most prominent work has come with Boldy…

  • Florence + the Machine – Dance Fever: Review

    Florence & The Machine has always had this machination with musical imagery and stylistic vocal performances that have given them a platform to succeed. Album-to-Album, they consistently brought something unique to the equation and gave us the depth of character the songs evoke. From the more personal and soul-filled High as Hope to the radiant…

  • IDK – Simple: Review

    Radiant and vibrant production with fun but complex lyricism; this is the simplest way to describe Simple, the new album by rapper IDK. At 20 minutes, it feels like a breeze, despite each track being an onslaught of depth that is neither over nor undercooked. The marvel backing this is the production, which gets guided…

  • Kendrick Lamar – Mr. Morale & The Big Steppers: Review

    Mr. Morale & The Big Steppers. The title isn’t reading a mouthful, but the new album by Kendrick Lamar has created a conversation that makes you feel like you were reading one. It’s a complex text that wants you to decipher beyond the surface layer verbiage, and Kendrick doesn’t make it pleasant. It’s provocative, but…

  • Arcade Fire – We: Review

    With pertinent themes with clever and fantastical instrumentals, Arcade Fire continues to coast with dreary and rhythmic melodies and harmonies over uninteresting songwriting that you almost forget Win Butler is singing, but not Régine Chassagne. It’s constructed with linear focus instrumentally, but when it comes to the way subjects are delivered, your level of attention…

  • Bad Bunny – Un Verano Sin Tí: Review

    Though I wasn’t the craziest on El Último Tour Del Mundo, what he did with a futuristic concept lyrically, was awe-inspiring, especially as he continued to grow artistically. Similarly, the album prior, Yo Hago Lo Que Me Da La Gana, did as the title suggested. Bad Bunny came at it with something new and different,…