The Weekly Coos
Music Reviews and Much More
recent posts
about
Category: Reviews
-

When it comes to The Roots or Black Thought–as a solo artist–even the pseudo remixes on The Tonight Show With Jimmy Fallon–Black Thought never disappoints, even when your anticipation is high. With Cheat Codes, his new album alongside musician/producer Danger Mouse, Black Thought emboldens his status in Hip-Hop, delivering an influx of lucid and poignant…
-

There is nothing cornier than hyping yourself up only to fail at delivering convincing arguments toward claims one boldly makes to get eyes and ears. There is an arrogance to it that you love when they can produce, and characteristically, I wasn’t surprised with all the chatter from The Game as we awaited the release…
-

Turning back the clock with Unwanted, Pale Waves reinvigorates the sounds that hooked us with My Mind Makes Noises, which felt slightly faint on Where Am I? Instead of reeling towards general rock complexions, Pale Waves ignites their emotions and lets them ride like waves as they shift between chords and effects. The strings are…
-

Aftermath Records cemented homegrown superstars from the underground up, and these superstars have gone on to expand into managing themselves. Anderson .Paak is next up at bat, and the debut of his first signees isn’t much of a spectacle, but it offers insight into the direction he wants to take in his new venture. Unlike…
-

Funk Wav Bounce Vol. 2 lacks a track that captivates and tingles the senses of summer’s cadence. When we think of summer, the vibes that radiate are crisp, danceable, smooth, and sometimes percussion-heavy, and with Funk Wav Bounce Vol. 1, we got just that with the opening track, “Slide.” The gravitas behind each element is…
-

Like some, I’ve wondered where Maggie Rogers could take her career since her debut came and delivered intriguing genre stylings, like electronic-folk, and not like the Ellie Goulding kind that felt more pop. Instead of exploring it more, she expands what inherently worked more consistently on her debut: Heard It In A Past Life–that is…
-

The hype behind Beyoncé’s new album Renaissance matches and, for many, has exceeded expectations. Though it’s to no surprise, as Beyoncé has always directed her vision with bravado, incorporating varying subtle notes within the shrouds of the surface genres it imbues. Taking on the current nostalgic disco trend, Beyoncé evolves past certain standard genre constraints…
-

Throughout the band’s growth, Beach Bunny has solidified an identity that delivers electric, fun, and raw music with powerful gravitational pulls; you can’t help but find some songs or albums that hit. That’s how it was with me, and it continues to be with their new album, Emotional Creature. Like past albums, they exhume a…
-

Whether thematically or through an expansion of congruent or parallel tales in sequel albums, we’ve seen them match the quality of their predecessor at times, but not at the consistent peak of the original. We’re talking the Blackouts, Blueprint 2, Man on The Moon 2, Marshall Mathers LP 2, and Only Built For The Cuban…
-

Captivating my ears with its core aesthetic for alternative rock that bled deeper than the surface layer, Beabadoobee wowed my ears on her debut, Fake It Flowers. The music had a level of nuance that gave it an identity, weaving together a consistency that never left me feeling that she was tilting toward thin nostalgia,…