Mumford & Sons – Rushmere: Review
It has been a rocky time since Mumford & Sons released 2018’s Delta, particularly due to the departure of right-wing-pilled bandmate Winston Marshall. This alignment didn’t fit the band’s identity, leading to an understandable split. Marcus Mumford launched his solo debut, which was raw and emotionally resonant, despite the final…
Japanese Breakfast – For Melancholy Brunettes (& sad women): Review
Japanese Breakfast has been on a journey of momentous highs since coming off touring for Jubilee, her last album that encompassed emotional dexterity with the contrasts and parallels derived from jubilant sentiments. Though the band wasn’t celebrating something grandiose, the Michelle Zauner-fronted group made it appear as such with tracks…
Lady Gaga – Mayhem: Review
Though I’ve come to appreciate some of the highs Lady Gaga has delivered since 2011’s Born This Way, nothing has hit me as noticeably as her music has, especially as a pop fan. That changed with her latest album, Mayhem, which shifts away from Chromatica since it’s not produced by…
The Lumineers – Automatic: Review
There is no denying this immense love for The Lumineers’ Cleopatra, especially compared to their debut, which had substantial joy in its string orchestration. Unfortunately, as the years have passed since “Cleopatra,” it feels like The Lumineers have seen their better days since they attempt to do nothing new or…
Mini Reviews: Life Is Beautiful & 12
Life is Beautiful is the latest release by Larry June, 2 Chainz, and The Alchemist. It is a surprisingly smooth project that shows we’ve been left starved by 2 Chainz’s lack of rapping over Alchemist beats. The writing treads familiarity for both artists, but having Alchemist’s smooth and calm production…
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