The Weekly Coos
Music Reviews and Much More
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Category: 4-7 Ratings
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Stepping out of the shadows of Pop Smoke, Fivio Foreign has grown into his own, continuing to establish drill as a dominant genre/cultural movement in Hip-Hop. These artists have a limited range as a lyricist as the style emboldens different technical feats that an artist masters behind the microphone, like emotional focus and proper diction.…
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Though it isn’t saying much, Gangsta Grillz’s current resurgence, especially amongst heavy hitters, has been a fantastic contrast to artists of different pedigrees. For every Call Me If You Get Lost, there is a Free Crack 2 or Dicaprio 2. I could go on and on, but that would be moot since DJ Drama elevates…
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Denzel Curry’s new album, Melt My Eyez See Your Future, is unlike previous work, with a deviation in tone and lyrical approach. It has more introspective raps than past work, which focused on balancing a sound engulfed with nuances of past Hip-Hop sounds from Florida/The South and lyrical grit as he delivers comparative flexes–think J.…
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I Know Nigo; rather, I Know Nigo. Fashion Designer and Teriyaki Boyz DJ Nigo’s new album is relaying a statement beneath the featured artist’s verses–I Know Nigo. Think of Nigo as the conductor that weaves a path designed to keep a sense of authenticity to let everyone triumph. Nigo’s presence and influence are immense, specifically…
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Stoner rap has had an evolution that is not quite like other sub-categories in Hip-Hop. From being its own genre to dissolving into more prominent forms, though it’s never lost the essence of what made it great. It’s become lazier, trying to fit two criteria, slow-to-mid-pace beats and rapping about smoking marijuana or displaying the…
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Weezer’s constant output has never ceased to amaze me, sometimes it lands, and other times they become mostly forgettable duds. They have had moments where, for every three or so mediocre to okay albums, there is one great one, but fans rejoice for new music–I know I do– there are always a few solid songs…
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Maybe nostalgia is catching up with me, or The Cool Kids continue to tap into a soundscape that elevates Sir Michael Rocks’ swagger in his flows and unique contrasts between two eras. Well, maybe it’s the former as it became a struggle to finish their new album Before Shit Got Weird. If you remove the…
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Big K.R.I.T. is distinguishable in many ways – quality being one of them – but they don’t benefit his bottom line when the production wanes between forgettable and spectacular. It’s not hard to when the spiritual and influential overtones of southern hip-hop charm your ears into your bass-infused beats; however, some of that now beguiles…
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Through a better half of two decades, Animal Collective has been tuning with their vast soundscapes, bridging together grounded psychedelia and unhinged pop-chaos as they continue to attempt new directions with their music. So as I was listening to their new album, Time Skiffs, it began to dawn on me how nuanced it was to…
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There aren’t many individualized locations with hip-hop scenes as prosperous as LA County, Fulton County, and New York City, to name a few; however, there have been some that have enough noise to produce talented rappers that have become part of our musical rotation. Philadelphia produced Memphis Bleek and Freeway; Portland has given us Amine,…