Weezer’s constant output has never ceased to amaze me, sometimes it lands, and other times they become mostly forgettable duds. They have had moments where, for every three or so mediocre to okay albums, there is one great one, but fans rejoice for new music–I know I do– there are always a few solid songs that stay with you. For the past two decades, they have seemed to pull all their effort in the first half of the decades than the second–this trend makes it easier for others to know when to come back. 2021 has been a great heel turn for them as they’ve explored new avenues musically, and continue to do so on their new EP, SZNS: Spring.
You may ask, is SZNS: Spring fantastic? It’s not even close, especially when comparing to previous Weezer albums; however, to say it isn’t another fun experience after Van Weezer wouldn’t be doing it justice. SZNS: Spring is like any run-of-the-mill power-pop/rock project from Weezer that offers melancholic fun with the instrumentations and the songwriting, which oozes middle-age dad levels of fun and relaxation. Ok Human had us singing about audible and reading Grapes of Wrath or a fun time at the Aero movie theater, and that is prominent on SZNS: Spring as Rivers Cuomo weaves a tale of “The two angels descend from heaven down to Earth because they’re tired of being so prim and proper up in heaven,” as per his press release.
SZNS: Spring is a flow of power-pop consistency before steering toward more standard rock complexions. Weezer has an idea of where they are spearheading the story, but the production sometimes is too much or Rivers Cuomo misses the mark melodically. When it comes to Weezer projects of this caliber–which I’ve mentioned prior–it starts to downward crescendo into a mundane burger of basic melodies. “The Sound Of Drums” is the first that didn’t hit as well as the others. Rivers brings melodies we’ve heard done similarly and excellently on past albums, but’s simplicity doesn’t hit as smoothly since the production–sometimes–muddles Rivers singing and leads you to the next two songs, one of which shines like three of the first four songs.
Starting with “Opening Night,” you hear that sense of dad-Weezer taking form as Rivers sings about Shakespeare and how reading his work makes him happy. Frankly, if it wasn’t for the fun use of Vivaldi’s Four Seasons concerto number 1 in E major, opus 8, RV 269, “Spring (La Primavera)”, I: Allegro (in E major), the track would lose its mysticism since we’ve had funner and better songs about loving books from Weezer–If you take away the sample, then you’re left with another track like “The Sound Of Drums.” It barely keeps the interest leveled high for me to return. There are the songs “Angels On Vacation,” “A Little Bit Of Love,” “The Garden of Eden,” which carry nuances to melodies that make them lovable and fun, especially as they remind you of the fun times listening to OK Human and the array of fun piano melodies and synths.
SZNS: Spring is fun, but for an EP, it wears off quickly, with a more concentrated effort given to the earlier songs than the latter. However, this is Weezer and we get entertaining songs for the moment but forgettable in the long run. It’ll stay in my Weezer playlist full of fun songs, but don’t expect me to return swiftly with desire.