Category: 4-7 Ratings

  • Marcus Mumford – (Self-Titled): Review

    Marcus Mumford’s solo debut takes the simplicities of the folk-rock sounds from early Mumford & Sons and rarely evolves past the known–rustic power-driven strings and genial percussion. Titled (Self-Titled), it’s a tongue-in-cheek approach to the content we’re receiving. We’re getting bleak and hopeful reflections on Marcus Mumford’s life–not the folk artist who’s taken unique directions…

  • Feid – FELIZ CUMPLEAÑOS FERXXO TE PIRATEAMOS EL ÁLBUM: Review

    Continuing to soar through the Latin-Pop soundscapes, Colombian Reggaeton/Pop artist Feid has amassed popularity and a foundation that plateaus some of his contemporaries. Though he isn’t a powerhouse like the global superstars in his realm, he has been able to pave a path with crystalized glass reflecting the nature of his talent from varying angles.…

  • Starcrawler – She Said: Review

    Starcrawler have a raucous appeal where they sing to varying topics in fascinating ways, like making a love-rock anthem about giving and getting head or sending a message to a patriarchy enforcing this dangly appeal without reinforcing your distinct personality. That track, “Toy Teenager,” criticizes the plastic [Mean Girls] society in High Schools, focusing on…

  • Oliver Sim – Hideous Bastard: Review

    It’s been five years since The xx dropped an album; however, that hasn’t stopped the flow of music from the respective members, whether it be singles or EPs, and so forth. Oliver Sim is next at-bat with his debut album, Hideous Bastard–it speaks volumes lyrically but is often faint as the production by Jamie xx…

  • Meechy Darko – Gothic Luxury: Review

    Brooding in the shadows of socio-systematic hypocrisy moving different communities toward avenues with diminutive lights that lead toward prosperity, Meechy Darko’s debut, Gothic Luxury, encompasses his stylistic personality with bravado, despite production that seems to feel normative at times. In essence, Meechy Darko evolves slightly past loose druggie perspectives on the system and his status…

  • DJ Khaled – God Did: Review

    Mid-way through the 2010s, DJ Khaled saw a significant pivot in quality, where an onslaught of mediocre singles and albums rolled out, leaving us with little to return. He wants to be like other heavyweights in the game, like DJ Drama, DJ Kay Slay, and DJ Don Cannon–to name a few–but he hasn’t found his…

  • Traumazine – Megan Thee Stallion: Review

    Taking a shift from the excess and glamour of southern bass-heavy Hip-Hop of the Texas region, aka chopped & screwed and trap, Megan Thee Stallion delivers as expected on a lyrical and technical level. Unfortunately, the production doesn’t match the levels of Megan’s talent, as we get a darker approach to the sounds, like more…

  • The Game – Drillmatic – Heart vs. Mind: Review

    There is nothing cornier than hyping yourself up only to fail at delivering convincing arguments toward claims one boldly makes to get eyes and ears. There is an arrogance to it that you love when they can produce, and characteristically, I wasn’t surprised with all the chatter from The Game as we awaited the release…

  • DOMi & JD Beck – NOT TiGHT: Review

    Aftermath Records cemented homegrown superstars from the underground up, and these superstars have gone on to expand into managing themselves. Anderson .Paak is next up at bat, and the debut of his first signees isn’t much of a spectacle, but it offers insight into the direction he wants to take in his new venture. Unlike…

  • Beach Bunny – Emotional Creatures: Review

    Throughout the band’s growth, Beach Bunny has solidified an identity that delivers electric, fun, and raw music with powerful gravitational pulls; you can’t help but find some songs or albums that hit. That’s how it was with me, and it continues to be with their new album, Emotional Creature. Like past albums, they exhume a…