Category: Reviews

  • Lloyd Banks – The Course of The Inevitable 3: Pieces Of My Pain: Review

    Heard, via countless albums and mixtapes that Lloyd Banks has released, he’s been showcasing skills as a storyteller and visually composite writer, letting you ride through directional focus that translates between verse and chorus. Instead of captivating you with the catchy hook – Banks has shown a knack in delivering such – he’s been flipping…

  • Feist – Multitudes: Review

    Singing from the heart, Multitudes by Canadian Singer-Songwriter Feist offers a glimpse of her journey since her adopted daughter’s birth, where different moments have relayed powerful, emotional reflections. Some are awe-inspiring, while others get trapped within the circumference of sounds that have a lesser consistency; Feist’s vocals elevate these Alt Pop-Rock complexions on these sensibly…

  • El Michels Affair and Black Thought – Glorious Game: Review

    As with any new album or collaboration album by Black Thought, there is an expectancy for greatness behind the microphone, and that’s no mistake, as Thought is one of the most consistent rappers. His ear for production has stayed so; last year was with Danger Mouse, and in 2023, with El Michels Affair, a group…

  • Daughter – Stereo Mind Games: Review

    It’s been seven years since the last time Indie Folk/Rock UK trio Daughter released an album, and that absence has been felt; exponentially so, as I went through listening to Stereo Mind Game. They have returned, bringing visceral orchestrations and vocal performances centered on atmospheric tendencies without diluting the lyrical depth driving its poignancy. Thematically…

  • Yaeji – With A Hammer: Review

    Growing within the electronic music sphere, Yaeji has continued to amass fans through bilingual performances on EPs and Mixtapes and wicked mixing behind the boards, evident with her 2017 Boiler Room Set. It continues to be the case with her debut album, With A Hammer, even though it tiptoes a safer line between house and…

  • Blondshell – Blondshell: Review

    After finding unhappiness with the direction of her pop music career, Sabrina Teitelbaum took the time to grow, ridding herself of addictions, finding herself musically and mentally, and started writing music that speaks more to her being than what professional writers could provide. Beginning when she was cooped up in an East Los Angeles apartment…

  • Larry June & The Alchemist – The Great Escape: Review

    Within Rap music, we have artists with the viscosity to deliver many projects throughout a 12 Month span. There’s Curren$y, Boldly James, Papoose, Termanology, and G Perico, to name a few, but on the opposite end of the LA coast where G Perico hails from, there’s Larry June from the Bay area of California. Entrenched…

  • Boygenius – The Record: Review

    Entwined with the seismic grasp of indie rock’s guitar-centric oeuvre, Boygenius has found a way to bring more value than some systematic construction, especially within the areas of the choruses and bridges. Much of that comes from members Lucy Dacus, Julien Baker, and Phoebe Bridgers, who are equally adept at writing these auspiciously poignant songs…

  • DJ Drama – I’m Really Like That: Review

    Synonymous through his voice, imprint, and relevance in Hip-Hop’s growth through varying cultural hurdles, DJ Drama will always stand tall amongst the varying legends in the genre, even when his albums aren’t as potent as the albums he hosts. For the east, whether it was DJ Clue or the late great DJ Kay Slay, these…

  • Myke Towers – La Vida Es Una: Review

    Sometimes typical amongst Reggaeton albums is the range length filled with enough filler that its listener is bound to find the right vibe attached to a slew of repetitions. They can be fantastic and consistent, but the components around them have to be captivating. For Myke Towers, it becomes more evident when he leans to…