The Weekly Coos
Music Reviews and Much More
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Category: 8-10 Ratings
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Ever since I’ve heard the two rap bars: “Oh my god, Peggy, Peggy, you’re so good/Fuck whoever said you up to no good”: each JPEGMAFIA record has come and gone as an ethereal experience – some fans begin to reflect the absurdist humor within his rhymes, like dropping at the moment to one Peggy’s many…
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Making comparisons can wane any influence someone can have on an artist before exploring their music. To put it mildly — a comparison hit me when I first played Joy Crookes. It was the feeling from listening to the Amy Winehouse album Frank for the first time. And as little as this comparison weighs, on…
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Two things may not be pivotal to you, but these things root themselves in a sub-group of hip-hop that remains dormant within pop — fortunately, it doesn’t matter with the grand scheme as fans back their favorite artists from the get-go. One is their bold approach toward shock value — usually done to stir eyes…
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As a rapper, Blu has had the consistency of the rollercoaster Nitro at Six Flags; the highs are grand, and the lows muddle your emotional attachment to the ride. This consistent hustle mirrors rapper Curren$y; there are moments of greatness in the bad, and when Blu hits, the album stands out between the independent and…
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Everything leading up to Montero proved one thing, Lil Nas X is a superstar in the making. On Montero, he reaffirms or rather solidifies these thoughts. “Montero” and “Industry Baby,” two leading singles, are excellent pop songs that fit the mold of Lil Nas X and his current stasis as an artist. Following the pattern,…
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There aren’t many rappers who immediately jump to me to listen to their work within minutes of release — Kanye, Common, and Mac Miller, are, and were, some of the very few I have a watchful ear. Like I’ve mentioned previously, I’m someone who holds superlatives at a low — save for the few –…
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At the end of last year, Common released A Beautiful Revolution Pt. 1 — an album that spoke to the lingering underbelly of societal unrest in its purest form. Common spoke in tangents about blackness, courage, and a consistent struggle to make a voice heard. Though I genuinely liked it, it was a slight modernization…
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Little Simz is unlike the more popular UK rappers bridging oceans. For one, she doesn’t devote herself to making pop songs and instead focuses on the concept and lyricism — it benefits her that she had a pivotal supporting role in Top Boy, becoming popular from involvement on the soundtrack from artists like Drake. It…
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A little over a year and one month have passed since Kanye West first announced his 10th LP, Donda, his long-anticipated follow-up to Jesus is King. In 2020, Kanye dropped two songs fans thought were singles in anticipation for his 10th LP, but only one of those songs matched the kind of energy and sound…
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Screen Violence is Chvrches best album since their debut, The Bones Of What You Believe, offering enough to retain on rotation those days you’re feeling down. The luscious synths, and relative themes, and songwriting bring you closer as you feel the synergy. It is my second favorite album of theirs and a definite recommendation of…