Category: 4-7 Ratings

  • Lady London – S.O.U.L.: Review

    Thanks to Ciara (a phrase I never saw myself saying today), I was exposed to NJ/NY Rapper Lady London. Appearing on her “Girls (Remix),” alongside Lola Brooke, Lady London made a presence for herself amongst the already non-creative girlbossery established from the original, and since I’ve sat back and gave my ears some wicked rapping…

  • Mariah the Scientist – To Be Eaten Alive: Review

    After listening to Mariah the Scientist’s last album, Ry Ry World, I became fixated by her attempt to retain a sense of creativity through themes very typical to the genre she inhabits, bringing a grounded sense of reality. She brings an emotional soul to the front, giving them these tenderer moments that never open themselves…

  • New West – Based On A True Story…: Review

    As I dove into the Toronto Indie band New West’s debut album, Based On A True Story…, I couldn’t help but feel like I’ve heard similar before. Though not an inherent parallel, what I kept getting reminded of is an older 2000s Alternative Rock that was a little narrow but loose enough through the tunnel…

  • Westside Gunn – And Then You Pray 4 Me: Review

    Surprises come in all forms, and when it’s in the negative sense (with an album), that ruins the appeal of what can arrive as you progress through the journey with the artist. That is how I felt listening to the new Westside Gunn album, And Then You Pray 4 Me. Though one might immediately think…

  • Holly Humberstone – Paint My Bedroom Black: Review

    My mind wanders when listening to indie-pop music, and I think to myself: do all these indie-pop UK singer-songwriters have similar directions with their music? Obviously, I’m wrong, as they tend to have a proper identity within the production, and I have heard my fair share of artists I’ve become a fan of, like Birdy.…

  • Bad Bunny – nadie sabe lo que va a pasar mañana: Review

    It’s never a surprise when Bad Bunny drops an album that feels different from the album prior. However, what did was his embrace of public celebrity life, hitching his hip to Kendall Jenner’s, and venturing into movies – it turned him into more of a petty, one-dimensional rapper who’s as good as his surroundings. That’s…

  • Dogstar – Somewhere Between the Power Lines and Palm TreesDogstar: Mini Review

    It’s been a little over twenty years since we’ve heard new studio-recorded music from Dogstar, a band from Bret Domrose, Robert Mailhouse, and Keanu Reeves, the latter of which recently made a splash over summer with the fourth installment of the John Wick series. Dogstar isn’t as well known as Keanu or as others within…

  • Drake – For All The Dogs: Review

    Multiple delays, a lot of amassed hype, and a tour that stood out from conception to delivery on social media, so it makes sense that Drake would end up delivering something mostly forgettable and cringe. For All The Dogs (FATD) is many things, but when it’s all placed together, it’s just another Drake album without…

  • Feid – MOR, No Le Temas a La Oscuridad: Review

    When Feid dropped his last album, there was no denying that I was heavily favorable if not quite loving it, and that’s because he knows how to keep it fun without having an overreliance on being something he’s not. In reggaeton, the content is usually never that deep with the content or themes while waning…

  • Chappell Roan – The Rise and Fall of a Midwest Princess: Review

    When I began listening to Chappell Roan’s debut album, The Rise and Fall of a Midwest Princess, the vibes were strong from the writing and the poppy textures. However, as I kept it on loop, it became more glaring that when Roan goes for more pop complexions, the output is more emphatic; it’s the patented…