Author: Kevin “Pigeon” Montes

  • Gushing Over Norah Jones’ Debut Come Away With Me: 20 Years Later

    Come Away With Me has been part of my weekly rotation for the longest, as it embodies sentiments that become begotten when the sun shines, and some of your worries scurry into the shadows. But that isn’t necessarily the case with every song, as some bridge a line of twinkling hope – one of my…

  • Hurray for the Riff Raff – LIFE ON EARTH: Review

    Alynda Segarra and their band, Hurray for the Riff Raff, have always walked the thin ropes of Folk music, slowly shifting from certain norms to evolve the sounds with a blend of flavors. We’ve heard them tackle the traditional side with My Dearest Darkest Neighbor, slowly branching into Americana and then rock with The Navigator.…

  • Leon Bridges & Khruangbin – Texas Moon EP: Review

    The kind of summertime bliss and whimsy that guided the atmospheric textures of Texas Sun by Leon Bridges & Khruangbin was a needed touch in 2020, especially as we tried to steer our minds away into a world of solace, where the stresses of the pandemic are non-existent. I’m talking cruising down the highway playing…

  • Big K.R.I.T. – Digital Roses Don’t Die: Review

    Big K.R.I.T. is distinguishable in many ways – quality being one of them – but they don’t benefit his bottom line when the production wanes between forgettable and spectacular. It’s not hard to when the spiritual and influential overtones of southern hip-hop charm your ears into your bass-infused beats; however, some of that now beguiles…

  • $not – Ethereal: Review

    Over the past decade, it’s become aware that a co-sign from an artist of S-tier status isn’t as prominent as it was before the social media boom. Like Kid Cudi and the rise of “Day N Nite” on MYSPACE, there are many who make their boom without the backing of another artist to redefine it.…

  • Black Country, New Road – Ants from Up There: Review

    Last year Black Country, New Road delivered auspiciously vibrant production in their debut, For the First Time. I was captivated almost immediately, from their rustic jazz undertones to experimental instrumental layering within the post-punk genre that it left me slightly optimistic. Unfortunately, that optimism has stepped back slowly upon lead vocalist Isaac Wood’s departure –…

  • Animal Collective – Time Skiffs: Review

    Through a better half of two decades, Animal Collective has been tuning with their vast soundscapes, bridging together grounded psychedelia and unhinged pop-chaos as they continue to attempt new directions with their music. So as I was listening to their new album, Time Skiffs, it began to dawn on me how nuanced it was to…

  • 2 Chainz – Dope Don’t Sell Itself: Review

    When Drake released his last few albums in close precision to get out of his Cash Money contract, the quality of his albums left an impression in my mind about veteran rappers. It was subtle, but you could sense the rushed nature of post-production. There were diamonds in the rough; however, they have been predominantly…

  • Ché Noir – Food For Thought: Review

    There aren’t many individualized locations with hip-hop scenes as prosperous as LA County, Fulton County, and New York City, to name a few; however, there have been some that have enough noise to produce talented rappers that have become part of our musical rotation. Philadelphia produced Memphis Bleek and Freeway; Portland has given us Amine,…

  • Aurora – The Gods We Can Touch: Review

    From the many popstars to make waves, it’s been hard for me to distinguish between artists like Madison Beer and Anne-Marie; however, some have caught my ear, like Joy Crookes and Aurora. It isn’t hard to distinguish yourself from the bunch – there just needs to be an identity in your sound or approach. Aurora,…