Author: Kevin “Pigeon” Montes

  • Joey Bada$$ – 2000: Review

    Whether thematically or through an expansion of congruent or parallel tales in sequel albums, we’ve seen them match the quality of their predecessor at times, but not at the consistent peak of the original. We’re talking the Blackouts, Blueprint 2, Man on The Moon 2, Marshall Mathers LP 2, and Only Built For The Cuban…

  • Beabadoobee – Beatopia: Review

    Captivating my ears with its core aesthetic for alternative rock that bled deeper than the surface layer, Beabadoobee wowed my ears on her debut, Fake It Flowers. The music had a level of nuance that gave it an identity, weaving together a consistency that never left me feeling that she was tilting toward thin nostalgia,…

  • Lizzo – Special : Review

    Showing captivating progression throughout the years, Lizzo has come full force with a follow-up containing groovilicious vibes. The production is luscious and hypnotic; choruses are catchy, feeling like candy that you can’t stop indulging. Unfortunately, Lizzo makes the word bitch become more of a gimmick with a few tracks. It skews the monstrous bangers and…

  • Hip-Hop 50, Vol. 1: A Triumphant Start To 50

    Man. It felt like just yesterday; I heard my first Hip-Hop/Rap record, and it shifted my musical taste and eventual side wishes in high school, like becoming a rapper. It was an impression unlike no other, and it took me through crazy musical journeys in life. I’ve gone to underground shows, and I’ve gone to…

  • Westside Gunn – Peace “FLY” God: Review

    The sheer persuasive prowess that Westside Gunn brings behind the microphone has no bounds. Though I’m being facetious, there is something to how he incorporates vocal gunshot noises before, between, and sometimes after a verse, boasting its poignancy. He’s done it in various ways, and yet, this time, it feels slightly different. Coming straight off…

  • Kota the Friend – MEMO: Review

    Within New York’s underground scene, Kota the Friend imbues that old-soul mentality in production, lyrical, and technical work. He’s bringing an influx of bars that keep themselves grounded in reality, specifically through the eyes of an independent hustler. It’s been pertinent from his yearly album releases and mixtapes that contain random 70-120 second tracks with…

  • We Vibin’ – Live DJ Sets To Listen, and View.

    Over the past few weeks, I’ve heard and read conversations on house music and its re-emergence into the mainstream, highlighting Drake’s latest album and Beyoncé’s latest single as primary examples. And I get it, but house music is far from really breaking that mainstream barrier again like it did in the late 80s and early…

  • Lupe Fiasco – Drill Music In Zion: Review

    Drill Music In Zion. On its surface, you’d expect Lupe Fiasco to rap over or incorporate elements of drill music, and who would blame you. Since Lasers, Lupe Fiasco has taken creative turns left and right, from concept albums to underwhelming sequels and stylistic changes. But Drill Music In Zion is different. Lupe is looking…

  • Regina Spektor – Home, before and after: Review

    Regina Spektor has thread needles of jubilant and poignantly straightforward songwriting that sends the song’s themes to the forefront with clean vibes. “SugarMan” off her latest album, Home, before and after, reminds us of that as she reflects on the deceptive lust money can bring. Using sugar as the analogy gives it different avenues to…

  • Muna – MUNA: Review

    At the turn of 2022, among many tracks to get played with immense consistency has been Muna’s “Silk Chiffon,” featuring Phoebe Bridgers. Their instrumentations/production and vocals are captivating and buoyed by strong songwriting, which creates an audible shift from conventional pop melodies. They have creative structures that elevate their music to replayable levels. MUNA has…