Author: Kevin “Pigeon” Montes

  • Jordyn Shellhart – Primrose: Review

    It’s usually a musical treat when an artist finally steps past the shadows of artists they’ve written for to take us on a journey that will either affirm stylistic limitations or express a vast grassland of creativity painting over the planes. For Jordyn Shellhart, it’s a balance between the two, teetering towards the latter as…

  • ICECOLDBISHOP – Generational Curses: Review

    Do you remember those commercials for V8 Juice, where the person smacks themselves on the head, telling themselves they could have had a V8 instead of the overly sugary drink in hand? That was me, except when getting around to listening to LA Rapper ICECOLDBISHOP’s debut album, Generational Curses. ICECOLDBISHOP isn’t mincing words, giving us…

  • Overmono – Good Lies: Review

    Overmono’s debut album Good Lies is full of rich textures, encapsulating breakbeats and some fluid songwriting as they continue to showcase the range and potency of their music. Like most dance/electronic music, there’s usually a bridge between tones, allowing sonorous self-reflections to exist within a zone of dance fever. The synchronistic connectivity the two have…

  • GALE – Lo Que No Te Dije

    Since late 2022, Puerto Rican singer-songwriter GALE has been on the come-up, and music publications have become wary of such. Safe to say, I was also on that delayed hype train quietly amassing for GALE like a Karol G co-sign and a significant spotlight/interview with Rolling Stone. Whether early or late, getting to listen and…

  • SBTRKT – The Rat Road: Review

    It’s been seven years since the release of English DJ/Musician SBTRKT’s last project, Save Yourself, and now, he’s back with The Rat Road. Though the music has been there, fans have eagerly awaited a follow-up to the former, and who could blame them? Save Yourself was a push away from many soundscapes that aligned Wonder…

  • Conway the Machine – Won’t He Do It: Review

    Consistency has been essential to the greatness of Conway The Machine. He keeps his listener engaged with these multi-faceted layers in his verses, expanding the horizons of his raps with these unique reflections of the past and future. Unfortunately, the same can’t be said about the production, as Conway comes with noticeable highs and middling…

  • IDK – F65

    Weaving a cohesive, thematic sonic palette, Maryland rapper IDK has shown skilled proficiency in creating fantastic albums doing so. We’ve seen significant growth from straight rapping to divulging into varying sounds that beautifully align with the strength of his vocals when singing. It got heard poignantly on his last album, Simple, a collaboration with producer/musician…

  • Avalon Emerson – & the Charm: Review

    Explorative and melancholic, Avalon Emerson takes what she has learned via making music and performing music since first tapping into it at an early age, eventually leading to her delivering a fantastic debut with & the Charm. It isn’t a reflection of histrionics and more so a tempered and expansive POV into the mind of…

  • Yuné Pinku – Babylon IX: Review

    Yuné Pinku has been slowly making splashes in the Electronic music scene. Though not as transverse on her debut EP Bluff, she rearranges her landscapes, flattening the sonic terrain to allow the synthesizers and percussion to flood and elevate the unique world she creates on Babylon IX, her latest release. Like burgeoning producers from the…

  • Jack Harlow – Jackman: Review

    Like Jack Harlow, many of us aren’t strangers to the critical appraisal his last album received. Predominantly lukewarm to bad, Come Home the Kids Miss You, as a title, Harlow took a contrived concept while embodying the ghost of many Drake wannabes and poorly delivered an album that adds little to the imagination. It reflects…