Author: Kevin “Pigeon” Montes

  • Jessy Lanza – Love Hallucination: Review

    Continuing the course of techno-pop and electronica, Jessy Lanza showcases a hold of her style in essence through these whimsical vocal performances and lovely productions on her latest album, Love Hallucination. When speaking on her sound, it’s hard not to find yourself captivated by the melancholic bliss guiding you from beginning to end. Its central…

  • Travis Scott – Utopia: Review

    Much time has transpired since the Astroworld tragedy that left many dead and families stricken with grief, but for Travis Scott, his sympathies have gone down the drain – oh, and new music has been stagnant, I guess. A single here, a featured verse there, and now, five years since his Astroworld album, Travis has…

  • CARLY RAE JEPSEN – THE LOVELIEST TIME: REVIEW

    It’s no denying I wasn’t the fondest of Carly Rae Jepsen’s last album, The Loneliest Time, but it wasn’t something that I totally disliked. When I saw her last month in concert, some of the loudest I sang was with the performances of “Surrender My Heart” and “Talking To Yourself,” but it’s safe to say…

  • Paris Texas – Mid Air: Review

    When I first wrote about Paris Texas (Louis Pastell & Felix), the LA Hip-Hop duo, I was left in awe by their aesthetic and approach to rapping, building, and boasting a successful hybrid between Rap and Punk-Rock music. It buoyed this unique aesthetic that has become reminiscent of individual methods reflective of some others –…

  • Nas & Hit-Boy – Magic 2: Review

    When Nas & Hit-Boy released Magic in 2021, Nas made a bold proclamation about how they’re the next GangStarr, the next Premo and Guru – as bold as that proclamation is, I never expected it to turn into a speedrun of releases to further that idea. Since then, Nas delivered on that with King’s Disease…

  • [prcy®] – RBXRR V (RBVRR) Presents: Act II — Continuance: Review

    When it comes to the indie scene, there are vast arrays of artists to steer to and frankly, no real lousy direction, unlike the popular side where you get that poor new will.i.am and Britney Spears single. However, when it comes to Hip-Hop, the consistency runs high, more so than particular industry plants I’ve had…

  • Disclosure – Alchemy Review

    When I use comparisons, I don’t try to use them loosely, especially when some of their parallels have more depth than the surface layer. But after looping the new Disclosure album, Alchemy, for a while, I noticed this unbridled sense of direction, where they can create without features but remain fluid, akin to albums like…

  • Julie Byrne – The Greater Wings: Review

    Grief and heartache will always hold a burnt imprint in hearts despite the ever-growing shift into moving and remembering the great instead of the idea that they will no longer be here. Julie Byrne understands that here as she delivers this beautifully potent ambient folk album with The Greater Wings. Ambiance is a cornerstone of…

  • Tanukichan – Gizmo: Review

    Sometimes you get riddled with musical regret because you haven’t found yourself aware of these independent artists who deliver music akin to one’s preference. That’s how I felt going through the work of San Francisco Singer-Songwriter Tanukichan. Her music is like a bridge between dream-pop and shoegaze within the arrangement, digging deep into the subconscious…

  • Rauw Alejandro – Playa Saturno: Review

    Coming off a performance with Rosalía at Coachella and appearing during Rosalía’s interview with Hot Ones, Rauw Alejandro decided to play the field and deliver a surprise album underneath the shadows of the highly anticipated Speak Now (Taylor’s Version). Playa Saturno is a continuation of Saturno, released last year; on it, Rauw Alejandro continues to…