Among Jessie Reyez’s best qualities–that have overwhelmingly attracted me to her music–are her melodies and songwriting, which focus on establishing and delivering powerfully driven stories through distinctly dark and soulful tracks. Her debut, Before Love Came To Kill Us, masterfully stamped this as a known, but the consistency gets placated by Jessie trying to bring too many sonic ideas into the fold. That’s the opposite on Yessie, a more refined, intimate album that doesn’t try to go in various directions, instead finding herself musically. Yessie has smoother transitions between the R&B notes and variations of pop, soul, and rock overlays, which get concocted with different genre-style undertones within the production–equipped with depth and poignant lyricism; its concrete consistency makes it one of the best albums of 2022.
Yessie shows Jessie Reyez delivering atmospheric complexions between reflective coldness, hypnotic confidence, and personal contemplations of the now, leaving her heart on the sleeves bare with powerful emotions. Unlike her debut, the transitions between themes are pure, never making you feel disjointed as you proceed chronologically; the same goes for the production. Having it work is pivotal since we hear Jessie transitioning between distinct styles without stumbling, either in-song or song-to-song, like the Hip-Hop centric intro “Mood.” We hear her transition from a more Hip-Hop flow to a soul chorus with a harmonious sample of “Los Caminos De La Vida” by Los Diablitos of Colombia, which one would think these clashing styles would sound jarring. Fortunately, the synergy between them allows your imagination to grasp anything given and vibe with it effervescently.
Though transitional effectiveness between songs is pure–starting clean with varying ilks of R&B/Hip-Hop/Pop–later vigorously with more distinct and generative styles as it turns the bends with “Mutual Friends.” Like the songs that preceded it, Jessie’s coming at it with ferocity through more personable one-on-ones no matter the style, like with “Tito’s” or “Forever.” Its soulful confidence adds contrasting layers that mesh beautifully. Here, Jessie and featured artist 6lack sing to their significant other, who is making a mistake by leaving a situation that reflects opposites attract. “Forever” is a compelling contrast to the aforementioned “Mutual Friends,” which backs the sentiments of the impactful “Queen St. W,” which establishes Jessie’s coldness that further gets reflected during the bridge and chorus of “Mutual Friends.” “Yeah, our mutual friend/Asked me how I sleep with so much hate in my heart/I told them I sleep like a baby,” (Bridge), “But if you died tomorrow, I don’t think I’d cry/I gave you one too many nights” (Chorus). The production’s consistency in elevating the effectiveness of her melodies and lyrics is potent here, capitalizing on a uniquely triumphant piano ballad. “Mutual Friends” minimizes or relatively dilutes the drum beats, letting Jessie Reyez discharge intensely and leaving me speechless as it takes notes from Billie Eilish’s dark-pop style, except Jessie makes it her own. Each track is different, refreshing, and significantly impactful on both ends, whether she is coming cold, confident, or lamenting, yearning for more as the music hits on the senses it evokes.
It becomes a testament to Jessie Reyez’s will to express herself refreshingly through radiant production that doesn’t juke you around in the ups and downs, primarily because there aren’t any off kiltered moments. She isn’t trying to formulate too many ideas and forcing them to acquiesce chronologically. Though there is some fantastic work on Before Love Came To Kill Us, her debut, it isn’t more concrete like Yessie. Yessie is more of a translation of Jessie Reyez’s being through varying situations she found herself in personally and how they’ve morphed her into who she is. We hear that through various styles, which get incorporated into the sounds like the confidently nuanced and personably fun “Tito’s” or the emotionally potent and rock stylings of “Break Me Down.” Two contrasting sounds amongst each other and other tracks on the album bring monstrous energy that has them feeling in line with the contextual tones throughout, specifically the latter. “Break Me Down” has the style and vibe of a mid-00s emo rock track with great explorative depth that you’re staying along due to its consistency with the transitions, like when we go from the cold “Mutual Friends” to the confident and mesmerizing “Tito’s.”
“Tito’s” is a darker dance-pop groove that hits those dance censors, making you groove to the beat as Jessie Reyez exhumes immense confidence in her lyrics and melodies. Its summery post-disco influenced production by Calvin Harris and Maneesh, as Jessie reminds us of the depth of her talent by turning a potential rudimentary dance banger into something more complex. After getting heard on“Mood,” we hear Jessie singing in Spanish more frequently, which we’ve rarely heard her do in the past–neé a feature with Romeo Santos saw her performing predominantly in English to his Spanish. It’s an extension of the strengths of Reyez’s monstrous performances, adding value at the end with the primarily Spanish track, “Adio Amor.” It adds exponential value to Jessie’s artistic duality, which sees her transcend soundscapes and deliver pure authenticity. It’s what stayed flowing through my mind–how impactful and less derivative of itself it is, as we see these fruitful transitions that never have you second guessing.
The music of Yessie is swarthy, melancholy sounds, creating gripping relatability that takes different sonic outlooks that aren’t as predictable. From the bilingual electro-R&B “Adios Amor,” which continues to show Jessie Reyez’s coldness, to the similarly thematically driven rock-like “Break Me Down.” It’s a crisp progression of greatness as Jessie Reyez capitalizes on delivering a personification of herself with remarkable depth. It isn’t an album that exponentially breathes club, or dance bangers, instead letting it round out stylistically akin to the atmosphere/tones derived from the beginning, becoming more apparent or subtle as it goes along. It left me bewildered with excitement, as Jessie Reyez has been someone who’s shown to me that she can create something special, and she does so here. Go check out Yessie now!