Black Country, New Road – Ants from Up There: Review

Last year Black Country, New Road delivered auspiciously vibrant production in their debut, For the First Time. I was captivated almost immediately, from their rustic jazz undertones to experimental instrumental layering within the post-punk genre that it left me slightly optimistic. Unfortunately, that optimism has stepped back slowly upon lead vocalist Isaac Wood’s departure – as for now, Ants from Up There is a remarkable pivot for the band whose last album had minimal variation. It had these different ideas relative to the external nature of song composition instead of adding more depth. On Ants from Up There, the band isn’t as altruistic musically; they immerse themselves into balancing the external with the internal. Because of this, Ants from Up There shines, spotlighting itself as one of the best rock albums over the last few years.

For their debut, Black Country, New Road re-recorded past singles and began to create the mold for its sound. It had chaos; it had ingenuity; most importantly, it had too many ideas, some of which were superfluous. At times, their talent and songwriting tinted my headphones, which covered some of the poor freeform vitamins in the mix. Unlike their debut, Ants from Up There brings bright spots for the darkness. They take out the vitamins and make sure they don’t burn the concoction, delivering a fine fixture of delicious musical plates for indulging. I’ll tell you; it may have left me slightly over-bloated without regret. There are varying elements of different genres not heard in their debut, and mastering new territory to excel, like with Isaac Wood’s vocals, it grasps your ears with a chamber-pop-echo reinforcing the melodic bind between the vocal layers and production.

In an interview with Apple Music, bassist Tyler Hyde said: “We wanted to explore the themes we’d created on that song. It’s essentially three songs within one, all of which relatively cover the emotions and moods that are on the album. It’s hopeful and light, but still looks at some of the darker sides that the first album showed.” She is speaking about the track “Basketball Shoes” – it combines three different art-rock-driven songs into a 12-minute three-part arc that flows tangentially from start to finish. Within the three-song variation, there are nuances to the sonic motifs throughout the album, while mirroring elements of the intro, there is tame chaos. It’s paradoxical, but the album emboldens a beautiful parallel, where the instruments play at an elevated level. We get these contextualized and bright instrumentations while embodying complex, poetic songwriting, a good amount of which are about different things within a failing relationship.

Ants from Up There bridges Isaac Wood’s songs about a relationship with emotional exuberance. On “Chaos Space Marine,” the band plays with joy in every note as Wood sings about taking the next spiritual step into maturity. “Mark’s Theme” overly contrasts “Chaos Space Marine” in tone. Unlike seeing the light at the end of a proverbial journey, this metaphorical light ends for Saxophonist Lewis Davis’s uncle, who passed away from COVID. It’s a dreamy saxophone-centric production that embodies Davis’s emotions. It’s heartwrenching and adds a sense of unison amongst the band. They transform elegantly on “The Place Where He Inserted the Blade;” it takes influence from 70s Bob Dylan in its rustic production and lyrical elements from a song off Pet Sounds by the Beach Boys, specifically “I Know There Is An Answer.”

There is a remarkable evolution unfolding on Black Country, New Road’s new album – one where the world is at your fingertips. You can take yourself to a place where the canvas is covered in vibrant colors in different hues, allowing them to transfix you as you divulge themes. Musically speaking, there is an ethereal array of jubilant instrumentations. Charlie Wayne’s percussion brings elements of hypnotic bliss, while Tyler Hyde’s groovy bass lines and Georgia Ellery’s violin playing deliver nuances of the dark chaos at times seen in post-rock. It’s expressive throughout, especially in the track “Good Will Hunting.” It’s a steady progression, leading to the 40-second mark where it blossoms into one of the best songs on Ants from Up There

However, within the confines of Black Country, New Road’s album, you start to infuse yourself within the confines of their sound, “Snow Globes” muddles in the background. The production drowns out Isaac Wood’s vocals, leaving you thrusted into an intense shake of a snow globe. It doesn’t hinder it and works on its own. Unfortunately, it isn’t until the second half that it recaptures your attention for the closer, “Basketball Shoes.”

Black Country, New Road’s shift from the chaotic, jazzy, punk rock hybrids of their debut adds a new light on their talent, especially as they maneuver while making a concert audience cheer louder than before. As they take these elements of art-rock and chamber-pop vocals and blend them into one, it leaves me feeling excited for new music, despite slight sadness from their canceled tour.

Rating: 9 out of 10.

The Magnetic Black Country, New Road Brings Their All on For the First Time: Review

Black Country, New Road has been an interesting band in the punk scene, since they don’t visually represent the aesthetic. But the music they make is as archaic as some of the bands of yester. It has these intricacies that lead you into a world of complete astoundment. Mostly because the blending of these two sounds are usually rare. However, this was previously seen on the Viagra Boys album, Welfare Jazz, released earlier in January and they made it work as well as pretty well. Though Black Country, New Road is not them and they bring different life to the blending of post-punk and jazz on their debut album For the First Time allowing for it to triumphantly claim its way as one of the best albums of 2021… so far.

For the First Time details a relationship through memories that, at times, are obscure from the conventional. They lay the groundwork early as the opening track “Instrumental,” is a piece from the 7-person ensemble. Black Country, New Road brings a chaotic element to the horn work one minute in, playing off with veracity.

Similarly, this is evident in parts of “Opus,” where they let it rely on orchestrating symmetry in both sound and story telling to great effect. But it doesn’t falter like the slightly middling “Science Fair,” where it takes a slight chaotic turn and makes it a deterrent. The isolated grunge-like guitars in the opening breaks from the stigmatic keys and percussion. It adds to something that didn’t really need it. Like when a directors cut lengthens a shot for “artistic purposes.” After that initial hump, the song carries enough equilibrium to merit listening to the rest of it though.

Fortunately the songwriting throughout the album is one of the best things about For the First Time. The unique framework behind the progression of the story allows the telling of the memories to play off the chaotic nature of “Instrumental.” But at the same time it allows itself to delve deeper into the post-punk genre with melodic notes and beautifully complex writing from Isaac Wood.

It’s on the rest of the album where the cadence is heard from the violins and keys, as Saxophonist Lewis Evans relies on the subtleties. You can hear that eloquence on tracks “Opus” and “Athens, Greece.”

Georgia Ellery’s violin work on “Track X,” comes to mind. The central focus is this rustic and aggressively somber notes that speaks a story all its own, adding to the words from Isaac Wood. It’s the shortest of the bunch and completely memorable, unlike “Sunglasses,” where the first minute and a half feels like an unwarranted sound check. But the rest of the 7 or so minutes fuses great rustic Sax notes and guitar strings and melancholic moods for a Jeckyl and Mr. Hyde kind of transition.

If you need more evidence, they drop the line “Leave Kanye out of this,” as to show indication that sunglasses are a metaphor for a defense mechanism we use on multiple occasions. In a way resonate of a time when Kanye was in a dark place after his mothers death and he used music/fashion to hide the demons. Coincidentally he made shutter shades a thing again. It stands out due to the historical/mental health related themes within the whole song.

It’s astounding how masterfully produced and mixed For the First Time is for a debut album. It brings Black Country, New Road center stage as one of the few rock bands to keep an eye on for the future as their ceiling is still higher. The way they are blending the two genres work in more ways than none as opposed to feeling completely mundane and inconsistent, which is to its benefit as tracks usually eclipse 5 minutes. You should definitely give it a chance, especially if you are instrumentally curious.

Rating: 8 out of 10.